The Ruins
A Visual Essay on the Contemporary Urban Void

"Özel Mansiyon Ödülü" ve "Katılımcı Özel Ödülü" Antalya 12. Uluslararası Genç Mimarlar Yarışması / "Honorable Mention Prize" and "Participant Special Award" Antalya 12. International Young Architects Competition
Yer / Location : Hamburg, Rio de Janeiro, Mumbai, Beijing, İstanbul, Amsterdam, Bruxelles, London 
Tasarım Ekibi / Design Team : Oğul Öztunç, Atıl Aggündüz
Piknik has participated to International Competition asking for architectural ideas on the future of libraries in the comtemporary cities. Piknik responded to that call with a speculative visual scenario juxtaposing important architectural elements of ancient libraries as modem routers into various parts that can be considered as a void in different cities around the world, questioning the definition of void in public space and how current technologies are redefining the concept.

I. Bookshelves and Architecture
'Ceci tueracela' This will kill that.
Victor Hugo foresightedly depicted that the printed press will change the architecture as architecture is known at that time. Introduction of the printing made possible to reproduce ideas much easily with paper, therefore set architecture free from the function of transposing meaning to crowds. 'It didn’t kill that.', but architecture became something much more different after the rise of massive book production. Today, the book as a matter, encounters a similar era of transformation with 'digital screens' taking the 'printed paper's place. The desire to read is not diminished at all, on the contrary we are much more curious about everything. The only thing is, we don’t have time to search for our answers in bookshelves. It is much more easy to access information with our electronical devices; anywhere we want, everything at the same time and at most unexpected places. Thus we become multifunctional and hypermobile. It is clear that the strictly functional spatiality of library is going to face a phase of adaption to this new means of living. With that facts, the question arises; Does the architectural space of libraries have an independent importance when they are disengaged from bookshelves and adapted to new means of urbanity? The proposed insertions of libraries intends to define an urban field by spreading a wireless signal network which provides internet and access to library database for users in the area. This way, it works as a modem more than a library. But, the fact that the wireless network field has a boundary, not with walls but with signals, it defines space. With the absence of bookshelves and enclosed library space, the library actually opens up to urban space and transforms the urban space into a library, where people are motivated to hangout in public space, accessing libraries’ resources in the defined field.

II. Voids of Contemporary City
When Giambattista Nolli ascribed the 'Map of Rome' in 18th century, he famously used figure-ground representation to show public parts of buildings as open civic spaces. This approach shows that the common spaces of public buildings, like libraries, are part of the urban environment but also they make a very strict relationship with the notion of void, using their architectural elements for bordering, enclosing or prompting the public activity. We can see this fashion for centuries that Architecture tends to define very neat relationships with public space. Take for example the ancient Library of Pergammon. The building's inside and outside relationships are strictly defined with the element of 'Stoa'. But when we visit the ruins of the magnificent Pergammon today, we see all those definitions of spatiality teared down and layer by layer the new definitions added. This project takes inspiration from that reasoning and speculatively decontextualize the particular architectural elements of historical libraries, like putting the stoa of the Pergamon in front of an unused industrial building.
The voids of contemporary city became much less defined in the sense that they are commonly accepted as the leftover parts in the city. Therefore definitions of urban space and void is an important problemmatic in todays context. For example in Mecidiyeköy, strange emptiness below the viaduct that everyone passes abundantly but no one spends time, is actually a void in the city that can't be tackled by strictly defined architectural solutions of history. What can be defined as 'void' and how to tackle this notion in today's hypermobile, multifunctional and congested urban context' becomes one of the main issues of the project. With a critical perspective of these facts, the project acknowledges that, a different approach that includes ambiguity and adaptability to transform this 'leftovers' and to enable socialization and sharing of commonality is needed.' 

III. The Ruins
In 'the Views (or Vedute)', Piranesi illustrated ruins of rome in a way that he distorted the scale and spatiality of the structures, successfully fantasizing and attracting worldwide attention to these pieces of architecture that is leftover from the Empire. Taking inspiration from Piranesi, this project attempts to imagine a speculative urbanity with insertion of powerful spaces of important libraries from past into 'voids' of contemporary urban context. This act of Decontextualisation is a tool for speculating on contemporary means of urban space making. The inserted pieces aims to define a ruin-like spatial character and an ambiguous relationship with urbanity. The ambiguity of space here, opens up to the ability to adapt and make space for commonalities. This commonalities are ephemeral in their nature and can only be defined by cultural aspects and everyday routines of people who use it, spesificly to that site. Between being site spesific or the opposite, the insertion melts into urban space with activities and stratifications of everyday life. To define the inserted structure's characters, the prototypical spaces of ancient libraries are referred. The prototypical elements of architecture like the stoa of Pergamon, the gateway of the Celcus or the gallery of Nysa, are the upmost definitions symbolising the direct relationship between the space and the user. This project envisions and speculates the social and spatial outcomes of placing this powerful strict spaces of library buildings into unexpected urban context that can be perceived as urban void.  This project aims to illustrate these speculations with a visual narrative of eight possible insertions on eight critically different spots in the world, intending to challenge the presumed definitions of void and activity in contemporary urban space.​​​​​​​